I will be filling in on bass guitar for Unearth bassist, John “Slo” Maggard, on their upcoming US tour as direct support to the legendary Sepultura on the “Tsunami of Metal Tour” also featuring Kataklysm, Dark Sermon with Scar The Martyr and Anciients featured on select dates.
I have to say it is a complete and total honor that the boys in Unearth have considered me for the position. Unearth and God Forbid came up together in the mid/late 90’s hardcore scene slogging it out in the same VFW halls, basements, and Rec centers. They are truly dear, old friends, and I can’t wait to spend a month together smelling their farts. I am especially psyched to hit the road since it’s been almost been a year since I’ve toured. Let’s see if my headbangin’ neck stick works. Tour dates after the jump.
Continue reading I am Playing Bass with Unearth on their Fall Tour
I am a reactionary. External events and debates get my brain going, and inspire me to throw my opinionated hat into the ring of discourse. I remember not too long ago clicking on a link to a preview of the new Avenged Sevenfold album. Previously, I was lukewarm on the single of the same name “Hail To The King”. But it grew on me, and I really enjoyed the record top to bottom when I listened to the full preview, and in repeat visits since. It sounded like Avenged to me. Albeit more mid-paced, groovy and hook focused.
Apparently, the rest of the “real” metal world was not enjoying the album as much as me, and flatly considered the album to be directly plagiarizing early 90’s era Metallica, Guns N Roses and Megadeth. On the Metalsucks Podcast I was interviewed on, they viciously concurred this sentiment and even included a mash-up of Metallica’s “Sad But True” and Avenged’s “This Means War”. Metalsucks.net blog also preceded this with a track-by-track rundown of the musical borrowings of Hail To The King. The barrage of criticisms didn’t end as the legendary Rob Flynn of Machine Head posted a tongue-in-cheek Blog “congratulating” the band on their chart topping success. Not to mention the backlash by many fans of the band who thought they took a turn for the worse. The album was being considered a crime a against all things artistically viable and true to metal’s code of conduct.
Why wasn’t I hearing what everyone else was hearing? Of course I heard the influences. As clear and direct as they might have been, it didn’t bother me the way it did everyone else. As far as I was concerned Avenged Sevenfold was jocking Metallica, Guns N Roses, Megadeth, and Iron Maiden since City of Evil. It’s not like it was Cannibal Corpse and they put out an acoustic album. This is a band that has been on a major label for 10 years, who came out of the gate very image conscious and market savvy, has multiple platinum and gold albums, an MTV Video Award, and regularly headlines arena tours. How do you sell out when you are already one of the biggest and commercially viable bands in the world?
Continue reading Nothing New Under The Sun