WHEN KEEPING IT REAL GOES WRONG (Posted Dec. 12th 2009 on Metalsucks.net)

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A couple weeks ago, I did an interview with Metal Injection for a retrospective on the highlights, trends, and cultural significance of the heavy music scene from an insider’s perspective concerning the last ten years. Near the end of the interview, I was asked if there were any sub-genres or trends that I didn’t like, or that seemed to get on my nerves. I thought about it for a minute, and generally annoying things like nu-metal or screamo or stale metalcore just seemed obvious and an easy target, when something dawned on me. I was generally annoyed by the whole ReThrash scene.

Don’t get me wrong, I love Municipal Waste, and have enjoyed the likes of Warbringer and Toxic Holocaust on occasion. I consider myself a diehard original thrash fan, counting Metallica, Megadeth, Slayer, and Testament as some of my all-time favorite bands that really imprinted themselves on my musical DNA, displaying exactly what great heavy metal should embody. After this interview, I kept thinking about this, and realized that what perturbed me wasn’t the music at all. I liked plenty of these bands. What I really didn’t like was when any type of retro trend gets way too much credit without bringing anything significantly new to the equation. So I guess my real beef is with metal critics, blogs, websites, industry aficionados, and publications, all of which tend to have an over reaching obsession with nostalgia. Not to play favorites, but I am also equally bothered by the metal media’s constant stroking of the stoner rock scene, AKA 10,000 bands that all sound like Black Sabbath.

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THE SONG REMAINS THE SAME (Posted Dec. 16th 2009 on Metalsucks.net)

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Last week, during one of my daily perusals of this very blog, I came across a rather scathing recounting of Killswitch Engage’s self-titled album, which came out earlier this year. This caught me a bit off guard, as I considered it to be one of my favorite albums of the year and a step in the right direction from Daylights Dies, which was at first very disappointing but grew on me after some time. I was even more surprised when I saw that most user comments tended to agree with the blog entry.

Most of the criticism seemed to center around Killswitch’s supposed inability to stray from their winning formula. People seemed to think that their sound had become stagnant, and that there wasn’t enough variety between albums and songs. Now I don’t disagree that KSE has a pretty standard formula for their songs and a definitive sound that really hasn’t changed a whole lot over the years, but I am disagreeing that this is necessarily a bad thing. I want to ask you guys if you think it’s better for a band to stick to a relatively confined style through their career like Hatebreed, Cannibal Corpse, or Motorhead, or is it better to expand and experiment like Mastodon, The Haunted, or Cave In.

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The Adequate Response to Criticism; An Artist’s Perspective (Posted Mar. 3rd 2009 on MetalSucks.net)

The Critic

Criticism. Criticism is something all artists who release their work on a broad scale must encounter. Many of us who do so approach these reflections in our own ways. On Metalsucks, my blogger brother, Dallas, has had the monopoly on providing that perspective in regards to God Forbid, which I think is unfortunate because I think it provides an inaccurate picture of the band’s collective or individual views. My motivations in writing this are not only to respond to the detractors of my band, but also to give an alternative view on the mindset of the motivations and mentality behind what we (who aren’t Dallas in God Forbid) do and what we hope to accomplish.

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