Here are my favorite albums, films, television shows, and podcasts of 2017. As always, I wish I would have listened to more and watched more, and these lists are in no particular order. I have to admit that podcast listening has sincerely cut into my music time. A lot of stuff didn’t make my list, because I just haven’t gotten around to checking it out.
(Some of these lists go to 11)
Top Albums of 2017
Body Count – Bloodlust
Mastodon – Emperor of Sand
In Search of Sun – Virgin Funk Mother
Sons of Apollo – Psychotic Symphony
Darkest Hour – Godless Prophets & The Migrant Flora
Kendrick Lamar – DAMN.
Zeal and Ardor – Devil Is Fine
Glassjaw – Material Control
Power Trip – Nightmare Logic
Havok – Conformicide
Continue reading Doc’s 2017 Top Ten Lists
Last week, during one of my daily perusals of this very blog, I came across a rather scathing recounting of Killswitch Engage’s self-titled album, which came out earlier this year. This caught me a bit off guard, as I considered it to be one of my favorite albums of the year and a step in the right direction from Daylights Dies, which was at first very disappointing but grew on me after some time. I was even more surprised when I saw that most user comments tended to agree with the blog entry.
Most of the criticism seemed to center around Killswitch’s supposed inability to stray from their winning formula. People seemed to think that their sound had become stagnant, and that there wasn’t enough variety between albums and songs. Now I don’t disagree that KSE has a pretty standard formula for their songs and a definitive sound that really hasn’t changed a whole lot over the years, but I am disagreeing that this is necessarily a bad thing. I want to ask you guys if you think it’s better for a band to stick to a relatively confined style through their career like Hatebreed, Cannibal Corpse, or Motorhead, or is it better to expand and experiment like Mastodon, The Haunted, or Cave In.
Continue reading THE SONG REMAINS THE SAME (Posted Dec. 16th 2009 on Metalsucks.net)