Time For A Reckoning: Examining The Phil Anselmo Controversy & Backlash

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By the time I even viewed the damning video of Philip H. Anselmo, the legendary vocalist of Pantera, Down, and Superjoint Ritual, performing a forceful “sieg heil” Nazi salute followed directly by adamantly shouting “white power” to the crowd at the end of a star-studded Dimebash fundraiser concert at Lucky Strike in Hollywood, CA, the internet had already exploded with outrage, responses, defenses, theories, and excuses.

In just the few days after the event, it appeared that Phil Anselmo outrage fatigue had already set in. People were already sick of talking about it, hearing how offended people were, or even acknowledging that the heavy music world might have a race problem. Despite this fatigue and the fickleness of the social media news cycle, more than a few people reached out to me asking if I would write some type of response considering my track record of dissecting heavy metal culture and openness to discussing race and politics. I consider it my responsibility to weigh in, so here it is:

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The Sound of White Noise

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I have always been fascinated by American race relations. Ours is a history that has always been colored by race, no pun intended. Being bi-racial probably gives me more objective standpoint than most, but no one can claim pure objectivity. We’re all victim to our upbringing, environment, and even genetic tools of intellect we’re born with.

Barack Obama’s election was supposed to be dawn of the post-racial society, but instead I believe that it has been a powder keg for racial tensions that have been brewing in all of the decades since Civil Rights breakthroughs of the 1960’s. It seems as though race is the backdrop to every other scandalous news story: The Trayvon Martin case, the Donald Sterling debacle, and now the firing of radio show host Anthony Cumia of ” The Opie and Anthony Show” on Sirius/XM.

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