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The Ex Man Podcast Ep. 58 – Mike Mulholland (Painless, ex-Emmure, Recon, Thy Art Is Murder)

Doc speaks with guitarist Mike Mulholland about filling in for deathcore titans, Thy Art Is Murder, his time playing in Emmure, rant about guitar playing and gear, his original band Recon and Emmure bringing a nü metal and breakdown-heavy sound to metalcore, rant about Hatebreed, why he left Emmure, taking a “radical sabbatical” and enjoying time off after the band, rant about action movies, and starting his new band, Painless, with the other ex-members of Emmure.

This episode features the song “Mike and Drew” by Heartsick, “Hand of the Devine” by The Agony Scene from their album Tormentor, and “Spellbinder” by Painless.

Follow Mike on Instagram and Twitter @mikewtf

Follow Doc on Instagram and Twitter @DocCoyle

Support our show sponsor Heartsick at heartsickband.bandcamp.com/ and www.facebook.com/heartsickband

Support our show sponsor and buy official band merch at Rockabilia.com. Use the code PCJABBERJAW for 15% off. Buy the Rockabilia.com Exclusive Bad Wolves shirt at www.rockabilia.com/browse/artists-…bad-wolves.html

Listen to more great podcasts like this at JabberJawMedia.com

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Are Metal Musicians Doomed to a Life of Poverty?

Street Musician

This is a subject I meant to address a few months back when Thy Art Is Murder vocalist, CJ McMahon, quit the band due to claims of horrific financial living conditions that he could no longer accept. He claimed to only have made “$16k-$18k each over 6-7 years”. It was not made clear if that is in US dollars or Australian dollars, or if he meant $16,000-$18,000 per year or the total amount earned over a 6-7 year period. It’s worded in a way to insinuate that he was only making $2,200-$2,500 per year, which seems a bit far-fetched, but I’ll push forward with the notion that whether he made $18,000 per year or $2,200, either amount was insufficient for leading an independent adult lifestyle.

The first thing that baffled me by the online reaction to this story was the surprise from non-musicians that extreme metal bands might not make a lot of money. When I started with God Forbid in the late ‘90s, I didn’t know you could even make a living doing extreme music. In that time, an assumption has grown that metal musicians should or deserve to make a living solely from making albums and touring. I don’t know exactly where that assumption came from, but it just strikes me as an odd, if not overly idealistic stance.

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